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Critical Work

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From 'Christopher Robin - Movie Review'

“...as its title indicates, the film is not a proper Winnie the Pooh adaption, spurning the specifics of Milne's legendary book in favor of an update to the stories of his beloved creations. Ewan McGregor's titular character is the main focus of director Marc Forster's latest project. And no, McGregor is not portraying the young Christopher Robin that many people, myself included, grew up with. McGregor's is a grown up Robin, one who has left behind the Hundred Acre Wood because of real-life circumstances and the responsibilities that come along with age, and thus must say goodbye to his talking animal friends in the film's truly heartrending opening moments. Forster, McGregor and company struggle to maintain the emotional profundity with which the film commences, and there are moments in which the movie becomes disappointingly Disney-fied, if you will. Nonetheless, largely thanks to a handful of really delightful vocal performances, and a solid turn from McGregor, Christopher Robin is a serviceable family film that has something for both kids and adults to latch onto. Throughout my viewing of the film, however, I couldn't shake the feeling that it could have been something more.”

From 'Blade Runner 2049 - Movie Review'

Blade Runner 2049 is a special film. It balances its cold, caustic view of the future with a soulful human story that leaves you with a unique resonance unlike anything I've seen. A lot of this review might seem like hyperbole, but believe me, I mean every word. This is Denis Villeneuve's masterpiece, the type of movie that will catapult him into the upper echelon of this generation's filmmakers, if he wasn't there already. In an era of mindless blockbusters and shameless franchise building, 2049 sticks out as a Hollywood film that is so utterly anti-Hollywood. An emotionally and thematically exceptional piece of science fiction disguised as an effects-driven action blockbuster. Please, see this movie. Studios should know that intelligent, challenging filmmaking is just as profitable as dime-a-dozen blockbusters.”

From 'Batman v Superman: Dawn of Justice - Movie Review'

“Bruce Wayne experienced firsthand the carnage in Metropolis at the end of Man of Steel. He blames Superman for the destruction and death, and as a result, has set out to stop Supes from using his power to harm the world in any way. Clark Kent, on the other hand, has caught wind of the mythical Bat of Gotham City, a vigilante that takes the law into his own hands and doles out his own brand of justice. Conflicting ideologies and some manipulation on the part of crafty businessman Lex Luthor send the two comic book titans on a fast track to fighting each other...All these plot threads and character arcs do not mesh together seamlessly, and Batman v Superman is kind of a mess because of it. The storytelling is sloppy at times, the writing a little lazy at others. And I could never quite figure out what Snyder wanted to focus on at any given moment, as the narrative shifts between different characters and plot points ad nauseum. Yet despite all this, I have to say I enjoyed the movie overall.”

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